Showing posts with label Florence and the Machine. Show all posts
Showing posts with label Florence and the Machine. Show all posts

Monday, 6 July 2009

Florence & the Machine - Lungs

I love Lungs! Not the bodily organs... although I suppose I love them too since without them I’d be having a little trouble breathing right now. But more specifically, I love the album Lungs by Florence and the Machine (out today) which I managed to get my early-bird hands on over the weekend.
Having seen her live in Brighton a month ago, I was expecting some of the non-single songs to be slightly familiar, but as I listened through the album, everything from the gig came flooding back – the power, the passion and the drama... even the lyrics. It was if I'd known these songs for years. It’s truly an album that will sweep you away with the rabbit-raising, coffin-building, eye-cutting-out fairies if you let it. I find this refreshing in a musical landscape currently so overcrowded with bland electro-pop-mIndie. La Roux? La Poo. LittleBoots? GoldfrappBoots (srsly, did anyone see her on Jonathan Ross?!). Lady Gaga? Don’t even get me started.

Top tracks for my money, aside from the singles Kiss with a Fist; Dog Days Are Over; and Rabbit Heart (Raise it Up), are Girl with One Eye (perfect, dark and dangerous song for a girl who’s been crossed by another), Cosmic Love, Howl and My Boy Builds Coffins.... and I’m Not Calling You a Liar... and...oh, and all of them! Definitely worth having a listen to when you get time.
I can’t wait to see Florence live again in a couple of weeks at Lovebox. Check out Shoegazer Fashion where Poppy talks about Florence’s Topshop-designed Glastonbury outfits.

Wednesday, 3 June 2009

Florence and the Machine - Brighton

Florence and the Machine - Brighton - Concorde 2 - 2.6.09

In a venue tucked under the Brighton promenade lays a stage littered with flowers and empty bird cages. Faded bunting stretches out above the audience and tangles in amongst the gothic wrought iron arches and pillars. As the sun fades outside, its last throws of light illuminate the stained glass alcoves, throwing an eerie light across the room.

Florence and her band take to the stage in a swirl of fog and launch into a set list that includes most of the tracks from her forthcoming debut album Lungs (out July 6th). “I’ve just been singing about coffins... now I’m going to sing about cutting someone’s eye out,” giggles Florence after paying homage to the gothic splendour of the venue as she leaps from My Boy Builds Coffins in to Girl With One Eye.

It’s testament to Florence that the crowd remains transfixed despite not yet being familiar with over half of the songs. Each track is performed with powerful vocals and a dramatic stage presence which sets Florence apart from many of her contemporaries. Her enjoyment of performing each song to the maximum both in terms of vocals and movement is refreshing.

Where many bands perform their most well-known songs with tour-weary reluctance, Florence rips hers up with all the excitement of a child tearing wrapping paper off a particularly large present, and seems delighted that the gathered crowd are enjoying her work. Recent release Dog Days Are Over, new single Rabbit Heart (out June 21st) and her cover of club classic You’ve Got The Love generate a rousing response from the audience, as does a screaming rendition of Kiss With A Fist.

Maybe it’s because I’m at a gig in Brighton instead of London for the first time in ages, but there is a distinct lack of pretention to proceedings tonight which gives the gig a feel of those from the early 2000s - before the big “indie” boom. On the whole, the audience are wearing what they want rather than what they feel they should. Couple this with Florence’s disarmingly friendly banter with the crowd and it becomes crystal clear why this gig was one of the best I’ve been to in a long time.

Florence has come a very long way since I first saw her (with Dev Hynes as ‘the Machine’) at a free festival back in 2007, and I would thoroughly recommend you seek her out this summer. Do yourself a favour though, and approach her as an artist in her own right, not as one of “2009’s top tips” or as a member of the infuriating “new females” clan (female is not a genre).

Keep an eye on Shoegazer Fashion for Poppy's review of the night (and Florence's outfit!)

Review in brief:
Venue: Refreshingly un-corporate! Good size for an intimate gig. Bad toilets.
Gig expereince as a whole: A perfect end to Florence’s tour and a perfect way to introduce us to her debut album. Uplifting, dramatic and unpretentious.

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