Friday, 16 April 2010
Shoegazer's Friday Finds
Friday, 9 April 2010
Shoegazer's Friday Finds
Tuesday, 13 October 2009
Shoegazer Music: The Maccabees, live

2009's follow-up, Wall of Arms marked serious progression for the band, and where Colour It In could have been unfairly overlooked amidst the barrage of indie releases, the band's second offering reallt made music lovers sit up and take note. Featuring the brilliantly dark and brooding No Kind Words and Love You Better, this is an album that steps forward from those of the band's contemporaries and embraces the dark side. With Arcade Fire's producer Markus Davis in tow, the band have developed their signature sound immensely and have delivered sophisticated songs for almost all moods. And, just as significantly, they've produced an album that men like - an album that speaks to the boys in the crowd in a year that's been dominated by female-based music.
And so to the gig itself - For the first time in a long while, we couldn't help ourselves but venture right into the heart of the throbbing crowd at the gig. We jumped, danced and sang along to song after song that the band performed with relish. Groups of guys threw their arms around each other's shoulders and cheered and grinned, their faces telling that, as far as they were concerned there and then, no other song defined their friendship; no other other band spoke to them quite like this. Of course, this could just be the hysteria of the moment, but it was wholly refreshing to see a crowd so engaged with the band and so willing to enjoy themselves. Many a girlfriend's face expressed the look of "I didn't know you liked them this much."
But don't get me wrong, this wasn't a crowd divided. Just as many girls and women were enjoying the music and dancing and singing their hearts out. This was a gig that pulled the audience in and gave them a sense of collective euphoria.
When the crowd drowned out frontman Orlando Weeks' amplified vocals on old favourite Precious Time, the band appeared visibly moved, hugging each other in deisbelief at their triumph. Felix White declared Brixton Academy to be "the best venue in the world," and as the final shords of Love You Better rand out, Weeks was clearly overwhelmed by the reception of the crowd and left the stage in humble tears. "I think you've given us the best night of our lives," he confessed. I'm sure they gave many of the 4,000 strong crowd one of the best nights of theirs too.
words&photo: Claire B of Shoegazer
Monday, 6 July 2009
Jack Penate - Gig and Album

Gig Experience: 3.7.09 Roundhouse, Camden. iTunes Festival
Album review: Everything is New
And so to the live show, part of this year’s iTunes Festival where fans apply for tickets via Facebook/iTunes and are awarded them for free. Taking place at Camden’s Roundhouse on a warm and hazy sunny evening, Jack was supported at the gig by the Golden Silvers (last seen by Shoegazer supporting Florence & the Machine in Brighton). Their song True No.9 Blues (True Romance) is catchy and well worth checking out.
Prior to taking the stage, our man Jack could be spied relaxing on the roof terrace in the evening sun as excited fans mingled with those who had applied out of curiosity, and those who had simply applied for a great night out for the price of a tube ticket.
As Jack took to the stage, the crowd greeted him with rapturous applause as he confessed at how he hadn’t played his hometown of London for a while but that it was good to be back. Bursting through a set which included old favourites such as Torn on the Platform, Spit at Stars and Run for your Life, Jack was joined on stage by Kid Harpoon half way through the set to perform Give Yourself Away (“AYA YA-YA YA YA YA YA YAAAAA YAAAAAAA,” sorry, couldn’t contain it.) It says something for the quality of the new material that it by far outshone the old favourites, couple this with the infectious energy of his odd-ball dance moves and you're left with a really great gig supporting a fantastic album.


(Images: ClaireB of Shoegazer)
Check out video footage of Jack Penate with special guest Kid Harpoon performing Give Yourself Away, thanks to ShoegazerVideo:
X-Posted at Shoegazer Music
Florence & the Machine - Lungs

Top tracks for my money, aside from the singles Kiss with a Fist; Dog Days Are Over; and Rabbit Heart (Raise it Up), are Girl with One Eye (perfect, dark and dangerous song for a girl who’s been crossed by another), Cosmic Love, Howl and My Boy Builds Coffins.... and I’m Not Calling You a Liar... and...oh, and all of them! Definitely worth having a listen to when you get time.
I can’t wait to see Florence live again in a couple of weeks at Lovebox. Check out Shoegazer Fashion where Poppy talks about Florence’s Topshop-designed Glastonbury outfits.


Wednesday, 3 June 2009
Florence and the Machine - Brighton
In a venue tucked under the Brighton promenade lays a stage littered with flowers and empty bird cages. Faded bunting stretches out above the audience and tangles in amongst the gothic wrought iron arches and pillars. As the sun fades outside, its last throws of light illuminate the stained glass alcoves, throwing an eerie light across the room.
Florence and her band take to the stage in a swirl of fog and launch into a set list that includes most of the tracks from her forthcoming debut album Lungs (out July 6th). “I’ve just been singing about coffins... now I’m going to sing about cutting someone’s eye out,” giggles Florence after paying homage to the gothic splendour of the venue as she leaps from My Boy Builds Coffins in to Girl With One Eye.
It’s testament to Florence that the crowd remains transfixed despite not yet being familiar with over half of the songs. Each track is performed with powerful vocals and a dramatic stage presence which sets Florence apart from many of her contemporaries. Her enjoyment of performing each song to the maximum both in terms of vocals and movement is refreshing.
Where many bands perform their most well-known songs with tour-weary reluctance, Florence rips hers up with all the excitement of a child tearing wrapping paper off a particularly large present, and seems delighted that the gathered crowd are enjoying her work. Recent release Dog Days Are Over, new single Rabbit Heart (out June 21st) and her cover of club classic You’ve Got The Love generate a rousing response from the audience, as does a screaming rendition of Kiss With A Fist.
Maybe it’s because I’m at a gig in Brighton instead of London for the first time in ages, but there is a distinct lack of pretention to proceedings tonight which gives the gig a feel of those from the early 2000s - before the big “indie” boom. On the whole, the audience are wearing what they want rather than what they feel they should. Couple this with Florence’s disarmingly friendly banter with the crowd and it becomes crystal clear why this gig was one of the best I’ve been to in a long time.
Florence has come a very long way since I first saw her (with Dev Hynes as ‘the Machine’) at a free festival back in 2007, and I would thoroughly recommend you seek her out this summer. Do yourself a favour though, and approach her as an artist in her own right, not as one of “2009’s top tips” or as a member of the infuriating “new females” clan (female is not a genre).
Keep an eye on Shoegazer Fashion for Poppy's review of the night (and Florence's outfit!)
Review in brief:
Venue: Refreshingly un-corporate! Good size for an intimate gig. Bad toilets.
Gig expereince as a whole: A perfect end to Florence’s tour and a perfect way to introduce us to her debut album. Uplifting, dramatic and unpretentious.
Wednesday, 12 November 2008
Song love
I plant the kind of kiss
That wouldn't wake a baby
On the self same face
That wouldn't let me sleep
And the street is singing with my feet
And dawn gives me a shadow I know to be taller
All down to you, dear
Everything has changed
My sorry name
Has made it to graffiti
I was looking for
Someone to complete me
Not anymore, dear
Everything has changed
You make the moon a mirrorball
The streets an empty stage
The city's sirens, violins
Everything has changed
So lift off love
All down to you, dear
And lift off love
All down to you, dear
And we took the town to town last night
We kissed like we invented it
And now I know what every step is for
To lead me to your door
Know that while you sleep
Everything has changed
You make the moon a mirrorball
The streets an empty stage
The city's sirens, violins
Everything has changed
Wednesday, 15 October 2008
Music!
And the official video which proves she certainly isn't vain!
I'm also liking Those Dancing Days' album "In Our Space Hero Suits" espeically the tracks Space Hero Suits, Run Run and Those Dancing Days.
